By incorporation, we mean any level of relationship between the traditional manifestation and the compositional process of the author.
We want to find pieces wherein music parameters from both new composition and traditional music would be somehow related.
For instance, the composer could create his pitch logics, sense of time, textures, musical gestures, rhythmic, sound colors, process, performance rituals, among others, based on aspects of the traditional culture's music.
Not sure if this is exactly what you are after, but you could perhaps try drum and bass. Maybe artists like DJ Marky?
Polifonica-Monodia-Ritmica (1951) by Luigi Nono was considered a strict serial work, but it is, in fact, permeated at different levels by the brasilian folk song of Iemanjá, the goddess of the sea. Sea, please, details in my paper: "Towards Dialectic Listening: Quotation and Montage in the Work of Luigi Nono" ('Contemporary Music Review, 1999; copy available in ResearchGate).
Cesar Guerra Peixe (1914-1993) is also a dodecafonista sometimes.Recently his O Gato malhado was played on the Dutche radio.
Its common with the African Sounds where drums are played in modern day music but with the same tone with drums used to be for traditional dances and other occasions. Artiste are calling their music "mbira music" mbira is one of the traditional instruments for nusic.
Luciano Berio - Sinfonia (1968)
The eight voices are not used in a traditional classical way; they frequently do not sing at all, but speak, whisper and shout words by Claude Lévi-Strauss, whose Le cru et le cuit provides much of the text
Many works from
Luiz Carlos Csekö
http://www.musicabrasilis.org.br/pt-br/compositores/luis-carlos-cseko
Kilza Setti
http://en.wikipedia.org/wiki/Kilza_Setti
Roberto Victorio
http://www.robertovictorio.com.br/
See also http://www.unicamp.br/ciddic/compositores.html
I would like to add that the composers of "Música Viva" Mouvement associated 12 tone technique with Brazilian elements in many works composed around 1950 like "Negrinho do Pastoreio" (by Catunda) and "Quartet n. 1" (by Guerra Peixe) and Música para Cordas (Claudio Santoro). .
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