Hi everyone. I hope you won't mind reading such a long question post...

I am trying to sputter gold electrodes on glass substrate and I was stuck at the problem of photoresist SPR660 (for patterning) adhesion.The problem can somehow be easily fixed by replacing different types of glass, but I would like to know more cause it seems quite fundamental. I am new to nanofabrication so I hope you could give me some insights on this matter:

I have been using the glass substrates that remain in our lab's stock. They work pretty well, no matter how I pre-treat them (RCA, sulfuric clean or simply DIW rinsing), they could be patterned with fine feature and resolution. But when I used the glass substrates bought from elsewhere (even for display grade ones) with the same protocol, I couldn't obtain the good features as the previous one. I tried to fine-tune the experimental parameters, e.g. extension of bake time and reduction in developing time (from 1 min to 30s). They might be improved a bit, like the edges of PR become more straight, but still some PR in smaller feature size (i.e. 5-10 um) peeled off.

Please don't ask why I did not continue to use the "good" glass substrate, it was a very long story, haha. But one thing I could tell is that the appearances of the glass subs look different: the edges for the good one are white, while the others are green. After all these, I was told that the "good" glass substrate is called Corning Glass. But I could not find much info from the Internet about its data or material.

So here comes to my questions:

1. I could understand why the extension of baking time would help. But I don't understand why the reduction of developing time would help too. What will be the possible reasons?

2. How do the glass material or their parameters in material science would affect the adhesion of photoresist (including the processes that might take into account, like photolithography and priming?) What would you recommend me to consider when choosing the suitable type of glass substrate?

3. If you have heard of, what is the "magic" actually in Corning glass that makes it so suitable for the captioned process? Is there any clue from its quality/treatment?

4. What would contribute to the difference of colors in the edge of glass? From what I have searched, it seems to be related to the concentration of iron. Please let me know if there is any other parameters.

I apologize for making the post so long. But I would be very very grateful if you could answer me some of the questions.

Thank you so so much!

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