Music, as an art, blends the geometrical figures of Music Science and Music Industry. Within the boundaries of Art, drawing by only one segment of music science leads to the distortion of the figure of creativity because creativity is eternal and tries to represent the unity of the universe based on the fundamental physical laws. Complex sound vibrations yield the symbols incised on the dual track of our creative spirit. They always have a different quality character and synthesis. Therefore, Music Geometry is considered here only as one of the music facets.

A discipline cannot be considered as pure science because, despite it being a target of scientific investigation, it is located in the area containing the objects of creation. Music, as a discipline, comprises Music Science, Art, and Industry. Interrelations of these three components of music can be described by the Music Triangle in which the top angle corresponds to the science wings, which are divided into sections observing music from the point of view of physics, mathematics, acoustics, bionics, physiology, cybernetics, informatics, psychology, pedagogy, sonotechnics, music aesthetics, history, archaeology, ethnosociology, comparative analysis, theory, and musical semiology. The artifacts consisting of sound vibrations and performed on the basis of strictly formulated rules of physical and mathematical systems and technologies are located in the lower corners of the Musical Triangle: from the right—Industry, and from the left—Art.

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