Emotional logic and aesthetics have underlying values that force taste judgements and preferences. It is true that every culture has its own aesthetics. Nevertheless, there are also differences in the cultures that are based on underlying emotions.
Between the pillars of openness and control and adventure move the emotion systems: stimulus, dominance and balance.
Which artworks would fit best into which pillars and emotion systems and what values lie behind them?
One question that comes to mind is this: How do momentary moods (also emotions) change the allocation? Does this have a serious effect? Will the selection then be made via the value usually behind it or the temporary emotion?
Does anyone have any ideas about this?
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Emotionale Logik und Ästhetik hat dahinterliegende Werte die Geschmacksurteile und Vorlieben forcieren. Zwar hat auch jede Kultur ihre eigene Ästhetik. Dennoch auch in den Kulturen gibt es Unterschiede die auf dahinterliegenden Emotionen beruhen.
Zwischen den Pfeilern Offenheit und Kontrolle und Abenteuer bewegen sich die Emotionssysteme: Stimulanz, Dominanz und Balance.
Welche Kunstwerke würden am besten in welche Pfeiler und Emotionssysteme passen und welche Werte liegen dahinter?
Eine Frage die ich mir aufdrängt ist jene: Wie verändern momentane Stimmungen (auch Emotionen) die Zuordnung? Wirkt sich das gravierend aus? Wird dann die Auswahl über den üblicherweise dahinterstehenden Wert erfolgen oder der temporären Emotion?
Irgendjemand eine Idee dazu?
Dear Susan Christina Annamaria Burkhardt
Thank you for your idea!
Of course, I don't know the answer but I can give you an idea of how to get it. For the last 12 years, I'm studying a BIS/BAS affect from EEG signals. Our EEG study can give you an exact answer to how people from different cultures react to the same stimulus (a piece of art, film, music, etc.) in a two-dimensional indicator - BIS/BAS (valance) and arousal. In this way, you can receive very detailed statistics of differences by sex, age, nationality, education, or whatever differentiator you like to use to the same stimuli.
You can also try to make it more complicated by checking the mood people are in once you show them the stimuli and ask them to appraise it.
It would be great but I represent a small prived company and can run a scientific project only when it is funded. What type of project Susan Christina Annamaria Burkhardt would you like to have?
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