What is a 'creative ecosystem'? Why do we need it?
How can it help us understand and support enterprises operating within the creative industries?
Is there a problematic mismatch between current policy approaches to growth in the creative economy, and the intentions and motivations of the individual creative practitioners that dominate the sector?
An interesting manuscript recounting the economic impact of the COVID-19 pandemic, especially in low- and middle-income countries are described in the following manuscript, greetings
Article Economy or Health, Constant Dilemma in Times of Pandemic: Th...
Por su puesto, prácticamente muy tarde la humanidad se ha dado cuenta de la contaminación de la tierra. Entonces se necesita trabajos sistémicos, pero eso parte de la educación, por ejemplo en el Perú, muchos lugares de la sierra son propicios para el turismo, lo cual tiene que tener conectividad con la gastronomía, con la cultura, idioma, cuidado del ecosistima, salud pública y tener plataforma, para ello se necesita una planificación estratégica desde el gobierno, normas, facilidades, políticas, estrategias presupuesto y proyectos para su desarrollo de esa manera se generaría emprendimientos colaterales y empleo para los lugareños, transporte, el arte y otros vinculados a la industria ecológica,..
I am not exactly sure what you are looking for. But there is a substantial body of literature addressing both innovation systems and innovation ecosystems. It might be a good place to start. Try journal such as Technovation and Research Policy
THE WGA/SAG STRIKE has brought into sharp relief the existential crisis of the writing and acting professions in today’s film and TV industry. What’s at stake is the very real possibility of a massive ecosystem collapse. The music industry—now a streaming and live-event oligopoly, in which most artists have no bargaining power and no chance to build enduring careers—offers a grim cautionary tale...
Despite the harsh economic reality, this is real change...
An entertainment industry dominated by a handful of megacorps, with a gig-economy model of employment, obscene income gaps between the top earners and everyone else, and human creativity sacrificed to an artificial simulacrum, is a very real danger. We’ve been heading that way at full speed, with no brakes.
But another version of the future has been visible from the picket lines—one where a collaborative medium fosters community, fairness is a shared value, transparency isn’t a controversial concept, everybody is rewarded for success, human creativity is protected and nurtured, and companies thrive when they treat their workers better, not worse...