Theories of Humor:
Philosopher Thomas Hobbes’s “Superiority Theory” said that we laugh at someone else’s inferiority. Later philosophers, including Frances Hutcheson, argued that what we are really laughing about is incongruity. We don’t go to asylums to laugh at the “inferior” beings, nor do we laugh at animals unless they resemble human beings. We laugh at someone who slips on a banana peel not because we feel superior, but because of the incongruity between our expectations and the sudden insight. And if the person who slips on a banana peel is pretentious, and is not seriously injured, we laugh even harder.
George Lakoff gives evidence that our view of the world is largely determined by the body we inhabit: Old vs. Young, White vs. Black, Male vs. Female, Strong vs. Weak, Educated vs. Uneducated, Farmer vs. Rancher, Muslim vs. Jewish vs. Christian, Norwegian vs. Spaniard, Athletic vs. Clumsy, etc. Lakoff and others have developed a theory based on this observation named “Embodiment.”
Victor Raskin is a linguist, and linguists tend to deal with one sentence at a time. Script Model Grammar allows linguists to deal with larger texts. Raskin talks about the structure of ajoke by saying that everything in the set-up of the joke is ambiguous but primed in the direction of the mundane. What the punch line of a joke does is to change the priming of the joke from the mundane to the dramatic, or scatological, etc. At this point the audience is able to see that the entire joke—set-up and punch line—have been ambiguous, and that the punch line has just changed the priming. Because the punch line allows the audience to see all of the ambiguity of the joke (both mundane and dramatic), the punch line is very epiphinal.
Don and Alleen Nilsen’s theory of humor analysis and synthesis relates to the Features (characteristics), the Functions (purposes), and Subjects (topics) of humor. The Features of humor include the following: Ambiguity, Exaggeration, Understatement, Hostility, Incongruity, Irony, Sudden Insight, Superiority, Surprise, Tension and Relief, A Trick or Twist, Word Play, Visual Imagery, etc. The Psychological Functions of humor are: To amuse, to establish superiority, to gain control, to persuade, to save face, to test limits, or to inbond or outbond with a social group. The Intellectual Functions of humor are: To amuse, to teach, to make connections, to compare two scripts—one mundane, and one dramatic. The Education Functions of humor are: To relax students, to teach facts, to argue and persuade, to teach vocabulary concepts, to teach careful observation, to problem solve, to engage students, and to aid memory enhancement. Because humor should be edgy, the Subjects of humor are the taboo subjects: Ethnic Identification, Politics, Sexual Roles and Body Parts, Occupations, Religion and Belief Systems. But taboos for Conservatives are not the same as taboos for liberals. Conservatives can use vulgarities, swear words, obscenities, or talk about sex, body parts, or religion. Progressives can’t talk about old people, ethnic differences, disabilities, LGBTQ issues, etc.
The most important theory of humor analysis and synthesis is called Incongruity and Incongruity resolution. For example, you could buy five pigs. On the pigs paint the numbers 1, 2, 3, and 5. Let them loose at WalMart and watch everybody keep looking for pig number 4.