I'm working on the field of emotion perception and recognition through 3D sound systems based on headphones (like Dolby Auro or DTS HeadphoneX), and I'm doing a search about previous studies on this field, as well as those related to other multichannel sound systems not necessarily based on headphones (5.1 discrete speakers systems, for example).
I'm particularly interested in studies that have used real stimuli (music, film scenes, environment sound) better than isolated sounds, but any contribution is welcome.
Hi, you may be interested in these:
Berg, J. & Rumsey, F. (2000) ‘Correlation between emotive, descriptive and naturalness attributes in subjective data relating to spatial sound reproduction’, in Audio Engineering Society Convention 109. 2000 Audio Engineering Society. [online]. Available from: http://www.aes.org/e-lib/browse.cfm?elib=9132.
Ekman, I. & Kajastila, R. (2009) ‘Localization Cues Affect Emotional Judgments – Results from a User Study on Scary Sound’, in 1 February 2009 Audio Engineering Society. [online]. Available from: http://www.aes.org/e-lib/browse.cfm?elib=15177.
Garner, T. et al. (2010) ‘A preliminary experiment to assess the fear value of preselected sound parameters in a survival horror game’, in Proceedings of the 5th Audio Mostly Conference: A Conference on Interaction with Sound. 2010 ACM. p. 10. [online]. Available from: http://dl.acm.org/citation.cfm?id=1859809.
Hagman, F. (2010) Emotional response to sound. Influence of spatial determinants. [online]. Available from: http://publications.lib.chalmers.se/records/fulltext/133873.pdf.
Lennox, P. (2009) ‘The emotional contents of the “space”in spatial music’, in 2009 International Conference on Music and Emotion, Durham, UK. [online]. Available from: http://derby.openrepository.com/derby/handle/10545/347428.
Lipscomb, S. D. & Kerins, M. (2004) ‘An empirical investigation into the effect of presentation mode in the cinematic and music listening experience’, in Proceedings of the 8th International Conference on Music Perception & Cognition, Evanston, IL. 2004 [online]. Available from: http://www.lipscomb.umn.edu/docs/ICMPC8proceedings_APR10_LipscombKerins.pdf.
Lipscomb, S. D. & Zehnder, S. M. (2004) Immersion in the virtual environment: The effect of a musical score on the video gaming experience. Journal of Physiological Anthropology and Applied Human Science. 23 (6), 337–343.
According to what you mean by emotion, you may look to Stephen Mc Adams and Albert Bregman's work.
In France there were also interesting works such as even itf they are not exaclty on emotion these artistic, creative and penomenological approachs can help to qulify emotion:
La revue l'Espace du Son
My works on spatial sound :
http://roland.cahen.pagesperso-orange.fr/Textes/S_Nav_3D_26.htm
https://kineticmusic.wordpress.com/tag/kinetic-music/
Thank you very much Valerio. There are some studies I didn't know about. I'll check them.
Best regards,
Francisco
Thank you very much, Roland, and sorry for the late answer. I know Albert Bregman and Stephen Mc Adams' works. Your work on spatial sound is very interesting. It should be great if I could have the opportunity to listen to your compositions.
Best wishes,
Francisco
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