In the Levi-Strauss kinship model; and its applications to artistic design and architecture; and the Harrod revised formula; What are the total numbers of recurrent characters or entities; their distinctive typological labels; their main attributes; their optional attributes; their sequence; their spatial or semantic positions; and structural layers?
Are there any parallels between your revised formula, and the archetypal structure that I found in artworks and rock art works (Furter 2014; Mindprint), and in building sites and cities (Furter 2016; Stoneprint).
See my posts on www.stoneprintjournal.com and in various articles in Expression, detailing the sixteen recurrent types in all cultural and several natural media; their sets of optional attributes; their fixed sequence; their spacing on an ocular (eye to eye) grid; and the five polar features of limb joints or junctures. My formula has hundreds of artworks and building sites as evidence of individual and collective subconscious expression of natural structure, identical in all ages. All five layers of structure, as a kind of natural grammar, are easily demonstrated in artworks or on building sites. I am looking for a model that demonstrates the archetypal subtext in myth and ritual , where the boundaries of character, events, sequence and semiotic positions are blurred and fluid.
My dear friend,
My new book has published. It is about design
as you are in this field i hope you will like it
Please read it and share it with everyone. It is talking about prosumer also for the first time in this book we talk about magic and its power in product design. It is talking also about future of consumers .I request you put the link of book on your page and your school website for your students.
https://www.researchgate.net/publication/319502419_Everyone_Is_Designer
Name: Everyone Is a Designer
Author: Mohsen Jaafarnia
Publisher: MJ
Ghochan, 2017
In Persian, Chinese and English
Topic: Industrial Design
Jaafarnia, Mohsen (2017). Everyone Is Designer. Ghochan, Iran : MJ Publication. ISBN: 978-600-04-7870-4
My dear friend,
My new book has published. It is about design
as you are in this field i hope you will like it
Please read it and share it with everyone. It is talking about prosumer also for the first time in this book we talk about magic and its power in product design. It is talking also about future of consumers .I request you put the link of book on your page and your school website for your students.
https://www.researchgate.net/publication/319502419_Everyone_Is_Designer
Name: Everyone Is a Designer
Author: Mohsen Jaafarnia
Publisher: MJ
Ghochan, 2017
In Persian, Chinese and English
Topic: Industrial Design
Jaafarnia, Mohsen (2017). Everyone Is Designer. Ghochan, Iran : MJ Publication. ISBN: 978-600-04-7870-4
Agner, I have found that style is inherently meaningless, and used only to differentiate a polity from known rivals. Thus it is similar to the sound allocation layer in language. The theory of culture as a collective personality thus has limited use. My data contradicts the theories or rather paradigm of culture as evolved and evolving. Cultures differ only in format due to maturity curve, due to population density. This is most relevant to material culture or technology, not to the core content of behaviour and media (art, myth, ritual, icons, pantheon, language, etc). My question is, How do Canonical structuralist formulae, relate to the five layers of recurrent features that I have demonstrated?