After reading Peter Handke’s Offending the Audience, I get a sense that he wants to reform traditional drama (like Shakespeare’s). I wonder how he rebels against the belief that “the world is a great theater” and construct his new theory of drama. He has already shown a new form of drama in Offending the Audience, but there are some more theoretical things that are absent. Maybe this question is too wide and hard to explain in a few words. You can recommend me some materials if you like. Please give me some guidance, thank you!
Jim Drummond
See this article:
https://www.newyorker.com/magazine/2022/03/21/literatures-most-controversial-nobel-laureate
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Hamsi Behluli
This is P H!
Peter Handke lässt sich von Serbiens Machthabern mit Orden feiern (nzz.ch)
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