the right one gives more detail, but the pattern is too 'busy'. The left one gives a clearer spatial pattern and is much more pleasing to the eye. For that reason it is the one most people would turn to for interpretation.
I would say that as busy as the right one may look, it is more "balanced". What I mean by balanced is that there are red points in vary in sizes in a progressive manner, and an even distribution of the color all around. Also seeing them side by side, the eye automatically goes to the one where there is more red, as the color red is the one that stands out the most in the image.
Just to acknowledge earlier commentators. All clever responses! Please permit to ask if this really is a puzzle. If not, a few basic clarifications are imperative before any rational and honest attempt can be made to answer your question. Do the two patterns relate to real and same cities? What the symbols represent (the red circles of different sizes, yellow lines and green patches)? And what are illustrations meant for and what do you really intend to achieve? Finally, what is your criteria for defining 'more beautiful' as "beauty is in the eyes of the beholder". Thanks in anticipation!
@Victor Udemezue Onyebueke you asked very good questions, and many thanks to all those who answered this question, actually a kind of mirror of the self test. This test is NOT to seek inter-subjective agreement, but get into human feeling that comes from the wholeness. Please note that the beauty is NOT in the eyes of the beholder, but in the deep structure. Or put it differently, our sense of beauty is mainly shaped by the deep structure, while our subjective factors play some trivial role. This deep structure is called wholeness that is defined mathematically, exists in space and matter physically, and reflects in our mind and cognition psychologically. I must say both patterns are beautiful, which human eyes are hard to differentiate, because they are almost at a same level with very slight difference. To use an analogue, two cups of waters one with 50 degrees and the other with 45 degrees, and I ask you to judge which cup of water is hotter using your hand (instead of thermometer). Very hard to judge indeed! For details about the data, what city, what different color lines etc., please refer to this paper which is to appear in Geographical Analysis:
Many thanks, Jiang, for not just opening my eyes but also my heart to the real story. I also truly appreciate your deep insight about human likes, preferences, or love in reality emanating from the deep recesses of their being. I consider it an unassailable truth substantiated not just by Mathematics (I've just learnt) but also by divine evidence. For one, take this particular phrase in the Christian Bible "deep calls to deep" (Psalm 42:7). I'd read the above interesting publications of yours and follow your work as well. Thanks!
@Victor Udemezue Onyebueke Many thanks for sharing your thoughts! Christopher Alexander, in particular his life's work The Nature of Order is the source of my inspirations. I like your word "not just opening my eyes but also my heart" very much, and the similar phrases Alexander used again and again in his works. Beautiful things can be clearly and convincingly explained by science and divine evidence. The topological representation I developed in the above cited paper can be applied to any city, building, artifact, and even a tiny ornament to objectively assess (1) why it is beautiful, and (2) how much beauty it has. For more details, refer to this beautimeter paper:
Built on the legacy of Alexander and his life's work pursuing beauty: https://www.researchgate.net/publication/299337109_A_Mathematical_Model_of_Beauty_for_Sustainable_Urban_Design
A new master program of architecture http://buildingbeauty.net/ has been established in Italy. I am of the teaching faculty, preaching on the wholeness and its measures.
The program aims for wholeness-oriented design, beginning with construction rather than paper based design as most architecture schools do. It intends to create buildings or cities with a high degree of wholeness, instead of slick buildings as most modernist architects do. Bear it in mind that the beauty is defined mathematically, exists in space and matter physically, and reflects in our minds and cognition psychologically. Please help diffuse this program message among those interested. Thanks!
Presentation A Mathematical Model of Beauty for Sustainable Urban Design
I am re-reading part of The Nature of Order, herewith some texts that explain the nature of mirror-of-the-self experiment in general, in particular its objectively measuring inner state of ourselves, rather than inter-subjective agreement of many psychological or cognitive tests. "The essence of the idea of measurement is the following. The degree of life of any given center, relative to others, is, as I have said, objective. But in order to measure this degree of life, it is difficult, to use what, in present-day science, are conventionally regarded as "objective" methods. Instead, to get practical results, we must use ourselves as measuring instruments, in a new form of measuring process which relies (necessarily) on the human observer and that observer's observation of his or her inner state. Nevertheless, the measurement that is to be made this way is objective in the normal scientific sense." (p354, Book 1) Note that the term life can be replaced by beauty or wholeness.
Dinusha is correct. The one on the right has more detail, but the one on the left has greater clarity. The main question then is ‘not which one is more beautiful’ but ‘which pattern has classified the data best and provides a better basis for interpretation of that data’. The one on the left provides that best. Beauty is after all in the eye of the beholder; the final analysis depends on good interpretation.
Though the image in right one seems to be complex that character has influenced the quality on it.It depict a system within itself.so right one is best.
Some of the bubbles is map number two hiding the background syntax map. But comparatively the first one have more details the user can identify. second one also have information; but complexity kills the simple idea of the map.
It is extremely hard for a person to judge which is more living or beautiful for these two particular patterns. It is somehow like given two glasses of water (one with temperature 36.5, and the other with temperature 37), and you are asked to tell which is warmer. However, using the mathematical model of beauty, the right pattern tends to be more beautiful or living (but both are beautiful indeed):
Article Wholeness as a Hierarchical Graph to Capture the Nature of Space
I would prefer the polycentric form rather the monocentric form which indicates the left one. Right side gives more accessibility to each nodes and reduced the spatial isolation. Hence, Right one is more Connected.
My first feeling preferred the right pattern, but thinking a while made me prefer the left pattern. So apparently my "gut brain" gives preference to overlap and connection, while my "head brain" prefers simplicity and clarity. -- As the "gut brain" is usually right, I conclude that I prefer the right pattern.
What is beauty after all? I believe all 36 comments confirm the truth of the statement that beauty is in the eye of the beholder? Is it possible to operationalize what is beautiful or the attributes of beauty? On a lighter mood, can academics do a better job than the seven all-female judges just did in the just-concluded Miss World Pageant in Atlanta, Georgia, USA?
Jeff Lakey Thanks for your participation! Both are beautiful, yet with a tiny difference, which human eyes are hard to find. The beauty can be seen from the convoluted boundary, involving far more small bends than large ones. The beauty comes also from the dot symbols with far more smalls than larges. As for the slight difference, the right is a bit higher, because it is with a higher ht-index; see the following short paper (living structure is to beauty what temperature is to warmness):
You've said the right diagram provides more information. May I nuance this a little : it can provide more information provided you make some effort for reading. This may take time. So from the casual user point of view it's irrelevant. The left diagram may well tell more in a short amount of time because it's simpler.
If you want to provide more informations to a user that can afford to grab more in term of time, don't mix and wrap all up in a single map. You could in this case be more effective if offering the reader multipe views, using additionnal maps, charts and diagrams. Ultimately a text is still good for an in-depth analysis.
In one word don't presume the user to be likely to make any effort ;)
Thanks for your constructive reply based on a user's point of view. Your opinion triggers another problem: we might want to design maps according to the users (e.g., whether or not the users are specialists).
Yes, the function plays a very important role. For example, the human organs such as the lung and brain are both beautiful and functioning, so are cities. Am I right?
By the way, a call for papers: Poster Session Proposal: Towards Sustainable Spatial Planning for H...
It is hard to think about which pattern is more beautiful without reflecting on the issues of readability, clarity, and functionality. That said, I think the pattern on the left is more beautiful.
The picture on the left is more beautiful. There is a large circle at the center, and the smaller circles are distributed to the outside, so I feel at ease.
To better understand the nature of beauty, one must understand living structure. Living structure is to beauty what temperature is to warmness. A general rule goes like this: the more substructures, the more beautiful; the higher hierarchy of substructures, the more beautiful. Herewith my recent writing on it:
Article Guest Column: 生命结构是衡量美学的温度吗? (Is living structure beauty's t...
I felt more comfortable and beautiful one in the complex and tangled street environment of Cebu City, Philippines, than in the artificially well-organized Swedish city of Linkoping. The streets of the Philippines seem to reflect the trajectories of human life as they are. Human and natural patterns that live and breathe as they are..., that is, the more substructures, the higher hierarchy of substructures.