Post-Colonial literary scope is a very broad term which encompases different subjects .Diaspora might form the most referred to,among their concerns.Godspeed in your work.

Its ongoing. Shashi Tharoor from Kerala is a good example.

The pioneer writers and figures of English post-colonial literature in the subcontinent of India, Asia, Africa, and the rest of the world include:

1. Chinua Achebe (Nigeria) - Known for his novel "Things Fall Apart" which is considered a seminal work in African literature.

2. Salman Rushdie (India) - Author of "Midnight's Children", which won the Booker Prize and is a landmark in post-colonial literature.

3. Arundhati Roy (India) - Writer of "The God of Small Things," which also won the Booker Prize and is a powerful exploration of caste, gender, and colonialism.

4. Derek Walcott (Saint Lucia) - A Caribbean poet and playwright known for works like "Omeros" and "Dream on Monkey Mountain."

5. Ngũgĩ wa Thiong'o (Kenya) - A prolific Kenyan writer who has written extensively on post-colonialism, language, and identity.

6. V. S. Naipaul (Trinidad and Tobago) - A Nobel laureate known for his novels and essays exploring themes of colonialism, nationalism, and identity.

7. Buchi Emecheta (Nigeria) - A Nigerian novelist known for works like "The Joys of Motherhood" and "Second-Class Citizen."

8. Ama Ata Aidoo (Ghana) - A Ghanaian author and playwright known for works like "Our Sister Killjoy" and "Changes: A Love Story."

These writers and figures have made significant contributions to the field of English post-colonial literature and have helped shape the way we understand and interpret the legacies of colonialism in our world today.

I really love this discussion. I find it quite enlightening, and that it opens up so many angles for research, both for and against.

There is a literary research paper I am writing, that might your citations and many others from your paper. It will be to criticise or support a very exciting short fiction I have just read, written by an African. Do you have some time to co-author the paper, or propose one of your students? The full publication fee is available, and I already have some ideas. Please let me know for further detail. O.

O.

Indeed, postcolonialist literature has grown so much from where it began. It is worthwhile to look back at where it started. Good luck with your research.

I am an African. I have never thought that Westerners misrepresented Africa. This Pan-Africanist propaganda must stop. I was not drunk as a kid when my great-grandfather narrated that the whites found my people barefoot, wearing tree barks, and as illiterates. In Things Fall Apart, Chinua Achebe showed how primitive we were when they tied Mr Smith's or Jones's bicycle to a tree and called it an iron horse. And the hatred between villages. Not even a bike had been seen by the natives of Umuofia. All the criticism of Joseph Conrad was due to a chip on Achebe's shoulder and envy for the British and their language for having so much power. He has tried to make Igbo the dominant tribe using his writing, but propaganda alone does not suffice. We Africans must be able to show the books we say we had before colonisation. Up till date, nobody has been able to show even one. We have attempted to use the white man's alphabet and produced one or two rudimentary stories. If we could gather some African graduates to create a fake alphabet and then inject it into history to prove that we already had books, we would do it. India does not need propaganda. They had thousands of books written millennia before the English reached their country. All this hatred and lies must stop. I want to embrace fundamental research and eliminate the lies African literary players have been messing this space with.

Manoj Kumar Yadav Pioneer African writers like Achebe, who discouraged Africans from studying proper English? To this day, I cannot find an African author who writes in proper English. It is a clever cover-up by the African literate community that Achebe's English was a style of English. All this propaganda must stop. If we love Africa that much, we should write in our tribal languages and market it to the Europeans at all costs. And it was not a choice that Acheber wrote in English: English was the only language he could write. Stop all the lies we, as Igbo people, could not write in Igbo. First, we had to learn the Latin alphabet in English before we could learn to write in Igbo, a task that only a handful of people did and never mastered.

Exactly

Manoj Kumar Yadav There is too much propaganda in African literary research, possibly to compete with England and the more developed parts of the world. If we must compete, we should showcase our own scientific inventions rather than tell lies (e.g. Isaac Newton was an African). Joseph Conrad was a key influencer for Achebe, but I am surprised the latter always accused the former of racism. Things Fall Apart does not completely depict Africa as a perfect place. Umuofia and Mbaino in Things Fall Apart, neighbouring villages, did not love each other—the wars between them, the beheading, etc. All of that was there before colonialism.

Edward Albee's The Zoo Story as the Play of Absurd and the Themes of Existentialism

Manoj Kumar Yadav Edward Albee's The Zoo Story as the Play of Absurd and the Themes of Existentialism sounds off-topic.

It is important to acknowledge the diversity of perspectives and experiences when discussing post-colonial challenges in English literature. While Okafor expresses a different viewpoint, it is crucial to consider the broader context and scholarly research on this topic.

Firstly, it is essential to recognize that post-colonial literature emerged as a response to the historical and social realities faced by writers from former colonies. These authors sought to challenge and subvert the dominant Western narratives that often misrepresented or marginalized their cultures. Their works provided a platform to voice their own experiences and perspectives, bringing attention to the impact of imperialism, racism, and societal inequalities on literature.

Chinua Achebe, one of the prominent post-colonial writers mentioned, is widely regarded as a significant figure in African literature. His novel "Things Fall Apart" explores the complexities of pre-colonial Igbo society and the effects of British colonialism. Achebe's work does not aim to promote propaganda or impose the dominance of the Igbo tribe, but rather to shed light on the diverse cultural heritage and challenge the Eurocentric perspectives that were prevalent at the time.

Furthermore, the criticism directed towards Joseph Conrad's novel "Heart of Darkness" by Achebe and others was not solely based on personal resentment or envy. It stemmed from a critical analysis of Conrad's portrayal of Africans as primitive and dehumanized, perpetuating harmful stereotypes. This critique aimed to highlight the need for a more balanced and accurate representation of African societies and cultures in literature.

While it is true that the African literary tradition has a rich oral history, the absence of written texts before colonization should not diminish the value or significance of African literature. The focus should be on recognizing and celebrating the diverse forms of storytelling and knowledge transmission that existed prior to the introduction of the Western alphabet. African writers have successfully utilized the English language, alongside their indigenous languages, to create powerful and impactful literary works that challenge colonial ideologies and contribute to a more inclusive literary landscape.

Therefore, the emergence of post-colonial literature was a response to the historical and social challenges faced by writers from former colonies. These authors aimed to present alternative narratives, challenging Western perspectives and bringing attention to the impact of imperialism, racism, and societal inequalities on literature. It is important to engage in scholarly research and critical analysis to gain a comprehensive understanding of the complexities and contributions of post-colonial literature.

Dear sir you raised valid points to critically examine the historical realities faced by African writers.

However, it is true that early African writers, including Chinua Achebe, often wrote in English, which was the language imposed by colonial powers. Achebe himself acknowledged the complexities of writing in English while also expressing the desire to write in Igbo, his native language. However, it is crucial to recognize that the use of English by African writers was not a deliberate attempt to discourage Africans from studying proper English or to cover up the lack of proficiency in English. Instead, it was a pragmatic choice to reach a broader audience and challenge the dominant Western literary canon.

The notion of "proper English" is subjective and often tied to specific cultural and linguistic norms. African writers, like Achebe, have creatively utilized the English language to convey their unique cultural perspectives and challenge colonial ideologies. Their works have been instrumental in reshaping the literary landscape and offering alternative narratives that question the power structures and representations prevalent in traditional Western literature.

While it is important to promote and preserve indigenous languages, it is essential to acknowledge the challenges faced by African writers in accessing resources and platforms for publishing in their native languages. The limited availability of publishing opportunities and the dominance of the English language in global literary markets have made it necessary for African writers to navigate these constraints and express themselves in English.

Furthermore, the argument that African writers should focus solely on writing in their tribal languages and market it to Europeans at all costs overlooks the diverse and multilingual nature of African societies. Africa is home to a multitude of languages, and privileging one over others may perpetuate divisions within the continent. The use of English by African writers allows for a broader readership, both within and outside Africa, and facilitates cross-cultural understanding and exchange.

Therefore, while it is important to recognize and promote indigenous languages, the use of English by African writers should not be dismissed as a mere cover-up or a result of a lack of proficiency. African writers have employed the English language as a tool to challenge colonial ideologies and contribute to a more diverse and inclusive literary landscape. It is crucial to understand and appreciate the complexities and choices faced by African writers in their pursuit of self-expression and cultural representation.

Firstly, it is essential to distinguish between propaganda and the genuine efforts of African writers to challenge colonial ideologies and offer alternative perspectives. The post-colonial period witnessed a reevaluation of colonial history and the impact of imperialism, racism, and societal inequalities on literature. African writers, including Achebe, sought to shed light on these issues and present a more diverse and inclusive literary landscape. It is crucial to recognize their contributions and not dismiss them as mere propaganda.

Regarding the mention of showcasing scientific inventions, it is important to note that literature and scientific inventions serve different purposes and address different aspects of human knowledge. Literature allows for the exploration of complex themes, cultural identities, and historical contexts. While scientific inventions are undoubtedly important, literature plays a unique role in representing diverse human experiences and perspectives, which should not be overlooked or undervalued.

Regarding Achebe's view of Joseph Conrad, it is important to understand that Achebe's criticism of Conrad's novel "Heart of Darkness" was not a personal attack but a critical analysis of the racist portrayal of Africans within the text. Achebe's intention was to challenge the underlying racist ideologies and stereotypes perpetuated by colonial literature. It is crucial to engage in literary criticism and analysis to foster a deeper understanding of the complexities of literature and its social, historical, and cultural implications.

Furthermore, the argument that "Things Fall Apart" does not depict Africa as a perfect place is a valid observation. Achebe's novel portrays the complexities of pre-colonial African societies, including conflicts and tensions between neighboring villages. Achebe's intention was not to present a romanticized or idealized image of Africa, but rather to provide a nuanced and realistic portrayal of the social and cultural dynamics that existed before colonialism.

While it is important to critically evaluate literary research and engage in discussions about the portrayal of Africa in literature, it is crucial to approach these discussions with an understanding of the historical and cultural contexts in which they emerge. African writers, including Achebe, have played a vital role in challenging colonial ideologies and offering alternative narratives. By examining their works and engaging in constructive dialogue, we can foster a deeper appreciation for the diverse and complex nature of African literature.

Manoj Kumar Yadav Thank you very much for your explanation. I am writing a literary paper on a new story by an African author. However, I need someone with your knowledge to read the story. Let's discuss it here so I can gather ideas (literary devices, style, themes, etc.). The short fiction title is Bleeding Stubs (author: Donald Besong). It is the most exciting and enjoyable story I have read, set in Cameroon. You do NOT have to buy it on Amazon because the following magazine has a free copy for anyone to read: https://sites.google.com/view/marvelousliterarymagazine