The reason is due to the ruling relationship between the elements of production. The need lies incompatibility between them, and it remains the most useful form in explaining the relationship between the elements of the product, to give the indication and the mark, for the general case in the form. In order to express in the form the positions of the product of previous or later rules, or in the past or the future.
The aesthetics of architecture, by itself, spans traditional issues mooted in philosophy of art, as well as aesthetics of the everyday, and environmental aesthetics. Such traditional issues include the nature of the work; the possibility of classes, kinds, or types in the domain; the character and roles of representation, intentionality, and expression; and the warranted foundations for criticism. The ethics of architecture also addresses traditional issues, including delineation of rights, responsibilities, the good, virtues, and justice in architectural milieus. Still other aspects of philosophy of architecture concern social and technological characteristics. :
First you should discuss how and why you are addressing architecture as a language. Without clarifying that it wouldn't be possible to digest and reply to your question.
Largely, I presume, to reflect specific knoweldge of the people for whom the architecture is designed and what expectations are made of them (their receptivity to formal languages), and the building's climatic response (the same form of building in two different climates will be experienced and used very differently .
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