Kushano-sassanid ceramics is a mystery to those who work in Central Asia. The origin of this production still brings up many questions as it appears to be so different from Kushan pottery. By their shapes, some models can be associated with metallic objects whose origin is essentially Mediterranean. This pottery not only includes the world of the Bactria but also the Margian one. What should we think about that? This corpus constitutes evidence of political and cultural homogeneity?